21.06.2016
USA, Columbus, Nationwide Arena
First night of the Rock, Paper, Scissors Tour (REMASTER by RICK0725)
exc. Aud.

01. The Rhythm of the Heat [4:49]
02. If I Ever Lose My Faith in You [5:11]
03. Talk Gabriel Sting [1:36]
04. No Self Control [5:31]
05. Invisible Sun [4:45]
06. Games Without Frontiers [4:13]
07. Shock the Monkey [5:08]
08. Secret World [8:11]
09. Driven to Tears [5:53]
10. Fragile [3:26]
11. Red Rain [6:01]
12. Dancing With the Moonlit Knight - Selling England By the Pound [1:41]
13. Message in the Bottle [5:22]
14. Darkness [6:34]
15. Walking in Your Footsteps [2:21]
16. Kiss that Frog [4:28]
17. Don't Give Up [7:24]
18. The Hounds of Winter [7:07]
19. Big Time [4:50]
20. Englishman in New York [4:31]
21. Solsbury Hill [4:17]
22. Every Little Thing She Does Is Magic [5:05]
23. If You Love Somebody Set Them Free [5:31]
24. Roxanne [7:38]
25. Love Can Heal [6:29]
26. Desert Rose [5:35]
27. In Your Eyes [11:23]
28. Every Breathe You Take [6:07]
29. Sledgehammer [7:41]

Total Running Time: [2:39:00]

Source info: Countryman B3 Mic in > SP-SPSD-10-Dual > Tascam DR-2D > 24/96 > Audacity (track split) (fade ins & fade outs) (amplification) (normalized) > TLH > Flac (6) 
Taped from Section C1 
Practically ideal recording atmosphere. No clappers, no talkers. Direct side view of the stage. 
Taper: Bogusjack (with permission)

REMASTER LINEAGE 
Countryman B3 Mic in > SP-SPSD-10-Dual > Tascam DR-2D > 24/96 > Original WAV Files From Recorder > Processed with Adobe 
Audition 2015.1 CC, Har-Bal 3.0, iZotope Ozone 7 > Trader's Little Helper FLAC 8 > shared files. 

REMASTERING NOTES:
The process for this rework was to create an eq frequency spectrum snapshot captured from a pro recorded Peter Gabriel source and apply that template as a starting point to an audience recording. I have been experimenting with the process for over a year. Trying various settings in the software, capturing several sources, and determining which snapshot fits best to reshape the EQ of the audience recording instead of manual EQ. 

WORK FLOW: Audition CC 2015.2, Har-Bal 3.0, and iZotope Ozone 7

Original 96 khz/16bit WAV files from the recorder are loaded into Adobe Audition 2015 CC. Original files are converted to 48000 hz 32 bit for processing. The file is then volume matched to -20.95 LUFS. In HarBal 3.0, created and saved the EQ snapshots of the original audience recording and the Peter Gabriel Back to Back 48Khz/24 bit blu ray audio sound track as a reference. 

Matched the recordered audio to the shape of the frequence spectrum of the reference recording. Listened, Tweaked, and outputed. equalized audio file

Audition CC 2015.2 
Increased volume to -17 Db LUFS
Automatic Phase Correction - Auto Align Channels and Auto Center Panning 
 
Automatic Click Remover, Audition CC 2015.1 - Created Spike Reduction Preset - Processed clapping spikes 

In iZotope Ozone 7, created a dynamics process to address the compression of the low end (2 bands) and d'essing in order to prepare the audio for volume maximizing.

Converted Audio file to 44100 hz 16 bit - Audition 2015.1 CC 
Processed Dither in Ozone 7 - MBIT + Dither - 16 bit, Medium Dither Amount, Higher Noise Shaping settings 
Matched volume to 14.4 LUFS with max peak level of.1 dbTP using tru peak limiting  
Exported the WAV audio within the markers 
Converted the WAV files to FLAC 

Please support the artists and buy their stuff if you find this recording enjoyable 

Enjoy the concert. Rick0725 7/16/2016

Dimeadozen.org: Torrent 566649 (by Rick0725)