19.07.1997 NL, Rotterdam, Feyenoord Stadium 1997-07-19 - Rotterdam - 2-Source-Mix exc. IEM/Aud. 01. Pop Musik [1:02] 02. Mofo [4:28] 03. I Will Follow [2:57] 04. Gone [4:43] 05. Even Better Than The Real Thing [4:02] 06. Last Night On Earth [6:55] 07. Until The End Of The World [4:45] 08. New Year's Day [5:07] 09. Pride(In The Name Of Love) [4:07] 10. Intro [2:03] 11. I Still Haven't Found What I'm Looking For [6:04] 12. Staring At The Sun [5:35] 13. Radar Love [4:03] 14. Miami [5:36] 15. Bullet The Blue Sky [6:18] 16. Please [7:17] 17. Where The Streets Have No Name [8:53] 18. Lemon Intermission [5:05] 19. Discotheque [8:28] 20. If You Wear That Velvet Dress [2:33] --: With Or Without You^ --: Hold Me, Trill Me, Kiss Me, Kill Me* --: Mysterious Ways* --: One* Total Running Tine: [1:40:07] ^ : Song is incomplete on the IEM-source/not within this mix * : Songs are missing on the IEM-source Source #01: Icom RC-10 scanner > TCDD7/8 @LP-mode Taper: Supermarket Superman Source #02: Soundman OKMIIr > TCDD7 @LP-mode Taper: GvK Mixed, Produced and Mastered by Dutch-Baker Clean-up with iZotope RX2 Time-aligned in Adobe Audition 3.0 Mixed in Nuendo 4.3, using Ozone + Waves Plug-Ins Flac'ed using Traders Little Helper Mix Version 7 Thanks to Hoserama/Oliverbayerl for the IEM-source, and Sharebear for all the feedback. Show Notes: Firstly, I wasn't there. In 2014 a tapingbuddy of mine (who was at this show), handed me over a box with 300 DAT-tapes. In between them were his own master, and another source being a clone from the master DAT. About 6 months ago Hoserama hooked up with a IEM-source from this gig, after him remembering I had a couple of clean transfers from this date. I got very excited about it, and took the challange to mix them up. Recording Notes: The OKMIIr-source speaks for itself. It's a widely spread recording in all kinds of lineageforms (incl. analog versions). This one is a confirmed clone from the master, directly from the taper himself. It has virtually no crowdnoise and no clappers, which for mixingpurposses isnt actually that great to get the live-feeling within the mix. On the the other hand, the bass in this recording is heavy and full. So, I had to make choices.. oh well, like the result. The IEM-source is incomplete, and missing the last four songs. It's a Edge-(crew)feed, with Edge's vocals pretty loud in the mix. Guitar sounds are powerfull as well, so easy to bring them all up. Source had a fair amount of static, which for 90% I was able to remove without any artifacts. Especially 'Until The End Of World' was marred, you probably can hear that. Bono's vocals are swirling around a bit from time to time, and aren't as powerfull and upfront as Edge's ones. I tried to get ridd off the click-track, but it's still there in some occasions. Moreover the AUD-source was taped closely to the stage and you can hear the on-stage clicktrack as well. Besides, I couldnt find a better setting and not harming the music any further. I'm mixing recordings primairly for my own ears. I like to accomplish a sound were instruments and vocals are upfront during songs, and aud-noise is more audible in between them. This isnt always easy, and sometimes hard choices are need to be made. If you dont like these kind of results I get that, everybody has his own personal tastes. So criticism is welcome, complaining wont get me anywhere.