25.06.2017
USA, Foxborough, Gillette Stadium
See Faces Frozen Still
very good Aud.

01. [PA intro: "The Whole Of The Moon"] [0:27]
02. Sunday Bloody Sunday [5:10]
03. New Year's Day [5:45]
04. Bad [8:34]
05. Pride (In The Name Of Love) [4:49]
06. Where The Streets Have No Name [6:55]
07. I Still Haven't Found What I'm Looking For [4:24]
08. With Or Without You [5:19]
09. Bullet The Blue Sky [5:17]
10. Running To Stand Still [5:22]
11. Red Hill Mining Town [4:54]
12. [Bono talk] [1:03]
13. In God's Country [3:09]
14. [Bono talk] [1:04]
15. Trip Through Your Wires [3:56]
16. [Bono talk] [1:28]
17. One Tree Hill [5:26]
18. ["The End of the World" (excerpt*)] [0:29]
19. Exit [4:46]
20. Mothers Of The Disappeared *fade out [5:18]
21. [intro: "Miss Syria"] [0:50]
22. Miss Sarajevo [5:30]
23. Beautiful Day [6:46]
24. Elevation [3:22]
25. Vertigo [4:35]
26. [dedication] [1:02]
27. Ultra Violet (Light My Way) [5:18]
28. [One campaign] [3:31]
29. One [4:54]
30. [Bono talk] [1:08]
31. The Little Things That Give You Away [6:24]

Total Running Time: [2:07:10]

Recorded by squintyt4e/bp
transfer & mastering by BIGGIRL

SOURCE: Audio Technica 933 cardioid mics - Edirol R-09 
LINEAGE: .wav (24bit/44.1kHz) > Adobe Audition > .wav (16/44.1) > PristineSounds (pre-edit)> iZotope RX 5 (clean up & eq) > PristineSounds (track split) > TLH > .flac (level 6) 

*excerpt from: Trackdown (TV-series); S1 e30, "The End of the World" (May 9, 1958).
# TAPERS NOTES: - "It was [recorded] from Sec 309, Row 14, Seat 3"

# transfer & mastering notes:
- Taper trusted his recording to u2start after a successful lobby of Nate aka nbkraft. Excited at first to have a complete JT2017 Foxborough, or "JT2017 Boston," but soon somewhat disappointed because the recording suffered from severe rumble caused by wind blowing at the mics, and sometimes the music itself gets somewhat blown away. Not uncommon however to outdoor recordings and not necessarily a huge problem if it weren't for additional distortions during BTBS all the way up to In God's Country. These distortions sounds like someone actually rubbing the microphone and they were very annoying to say the least. I managed to clean up most of the rumble with the iZotope RX 5 “spectral repair,” but the above mentioned section (i.e. BTBS, RTSS, RHMT & IGC) is still substantial compromised. Here I had to choose between “microphone rub” and “process sounds.” It could have been done differently – and no doubt it could have done better – but I can only hope that even with these sub-optimal tracks, this share is still worthwhile.

Thanks again to squintyt4e/bp for trusting his recording with me (and u2start!) Special thanks to Nate for all his efforts to make this share possible in the first place!

^ NB: Taper claims to have used a "Illudium Q-36 MSYC" next to the AT 933 and Edirol, but I have no idea what that could be other than some reference to Marvin the Martian's "Illudium Q-36 Explosive Space Modulator." According to urbandictionary.com, "it is a fused device used in a contraption designed to destroy large heavenly bodies, namely Earth." I trust it is some kind of insiders joke (of which I'm obviously left out!), but perhaps it will someday be explained to me...

U2Torrents.com: Torrent 10234 (by BigGiRL)