18.07.2017
Spain, Barcelona, Estadi Olimpic Lluis Companys
JT Tour 2017 Barcelona
good Aud.

Disc 1: [1:13:55]
01. Audience + PA-music [1:53]
02. Intro: "The Whole of the Moon": The Waterboys [4:46]
03. Sunday Bloody Sunday [5:09]
04. New Year's Day [5:44]
05. Bad +  snippet "Heroes" [9:46]
06. Pride (In the Name of Love) [4:16]
07. Where the Streets Have No Name [6:57]
08. Still Haven't Found What I'm Looking For [4:13]
09. With or Without You [5:17]
10. Bullet the Blue Sky [5:23]
11. Running to Stand Still [4:31]
12. Red Hill Mining Town [6:08]
13. In God's Country [4:51]
14. Trip Through Your Wires & "Spanish Eyes" quoting [4:54]

Disc 2: [1:05:23]
01. One Tree Hill [5:27]
02. Exit [5:15]
03. Mothers of the Disappeared [4:51]
04. Bono speech/Audience/miss Syria [4:44]
05. Miss Sarajevo [5:26]
06. Beautiful Day [6:55]
07. Elevation / Vertigo [9:55]
08. Ultraviolet (Light My Way) [6:37]
09. One [7:38]
10. The Little Things That Give You Away [6:33]
11. Outro + audience [1:59]


Gear: Binaural OKMII-Rock > A3 filter: Bass Roll-off settings @ -20dB > DAT Sony TCD-D100 @ 44.1 khz -20dB AGC in LP >  125' Audio Pro Maxell DAT-tape.
Taper: Massygo 
Venue: Estadi Olímpic Lluís Companys 
Location: Spot B, a bit of center of the deadcenter(spot A). Next to the PA. 

I was in front of left light-& camera tower when facing the South stage. Wind: yes but it can't be heard, was a cool breeze in the hot arena. Direction: audience facing South. Recording lenght: 148':51":540ms. Produced lenght: 139':26":661ms. 

Tracking & Toccing DAT-Tape: Sony DAT DTC 670
Transfer & Linage: Sony DAT DTC670 > Dig i/o cableconnection> i/o Creative Labs X-fi HD(SBX) > CD-Wave > wav@32khz/16bit > Flacfrontend

Corrections/fades: CoolEdit 2000 

Rules & Rights: DON'T sell this recording!!! Please do not encode this Flac to MP3 or lossy audio-format for sharing it on low-class servers. May be use to create matrix's & DVD's, but ask/tell me when you are planning this. Respect the taper's wish and just share & trade it. 

Notes: 
A) Staffmembers might sure be blind, not seeing me with a recorder & mike- mount on my back. I normally mount the mikes on the fences, not this time and there are 2 reasons. 
1. In outside venues staffmembers/security can see through the small holes in those fences can easy see the wires. This technique is much more handy when you are in the front row. (like my Collogne 2015 recording). Now the OKM-mikes were mounted on my shoulders underneath my t-shirt. 
2. I did notice some peoples do like to smash on the metal of the fences, which would give some unwanted noises 
in the recording.

B) Because of the echoing in the stadium, some crackling sometimes appears during "New-Yearsday", music just went a bit too loud with the echoing and the result is crackling in the mikes and can't be fixed.  

C) This was recorded together with some support of my wife, she helped me to wire me up allong my back to my belt. She was next to me on the left and sometimes... you hear her wispering gently. I know she is not used to do this kind of 'job' but now when she heard the result she understood to keep quiet. Her previous concert was August 5th 2001, Antwerp. We had the 13th birthday of our mariage on July 17th so that is the reason why she was with me. 

D) My OKM-rock is now 18 years old, and is still doing it's job. Only the in-ear windfilters are almost dead and meanwhile i did find some new ones. Hope they make it untill the next concerts. Anyway peoples, I hope you enjoy this recording. 

U2Torrents.com: Torrent 10212 (by massygo)